Current Work
︎ALAN
Works, Previous 7:
How to Make Art in 2020
History:
May 2020 - Alice Gosti’s Gatto Nero (Online)
May 2020 - Alice Gosti’s Gatto Nero (Online)
Choreography, Videography & Performance: Jordan MacIntosh-Hougham
Works, Previous 6
BAD TOUR NOW
History:
September 22, 2019 - Ellen McGivern’s Assembly (Seattle, WA)
May 22, 2020 - On the Boards’ Virtually Spectacular LIVE: Sensory Perception (Online)
Reviews and Interviews:
The Stranger
September 22, 2019 - Ellen McGivern’s Assembly (Seattle, WA)
May 22, 2020 - On the Boards’ Virtually Spectacular LIVE: Sensory Perception (Online)
Reviews and Interviews:
The Stranger
Choreography: Jordan MacIntosh-Hougham
Music: “What Is Love” by Haddaway, “I Go To Sleep” by Anika, “Anemone” by The Brian Jonestown Massacre
Light Design: Oona Kilcommons
Performance (Sep 2019): Kara Beadle, Sophia Casteris, Leah Crosby, Vlad Kremenović, Arlo King, Jordan MacIntosh-Hougham, Elizabeth Sugawara
Performance (May 2020): Vlad Kremenović, Jordan MacIntosh-Hougham, Nahshon Marden, Maya Tacon
Music: “What Is Love” by Haddaway, “I Go To Sleep” by Anika, “Anemone” by The Brian Jonestown Massacre
Light Design: Oona Kilcommons
Performance (Sep 2019): Kara Beadle, Sophia Casteris, Leah Crosby, Vlad Kremenović, Arlo King, Jordan MacIntosh-Hougham, Elizabeth Sugawara
Performance (May 2020): Vlad Kremenović, Jordan MacIntosh-Hougham, Nahshon Marden, Maya Tacon
Works, Previous 5
BAD! BAD! BAD!
History:
January 25-28, 2018 - Premiere at Velocity Dance Center, The Bridge Project (Seattle, WA)
May 10-12, 2019 - New Expressive Works, Shaun Keylock Company (Portland, OR)
Oct 25-27, 2019 - glitch: hybridized dance performance (Seattle, WA)
Reviews and Interviews:
City Arts
Shaun Keylock Company
Oregon Arts Watch
Seattle Dances
January 25-28, 2018 - Premiere at Velocity Dance Center, The Bridge Project (Seattle, WA)
May 10-12, 2019 - New Expressive Works, Shaun Keylock Company (Portland, OR)
Oct 25-27, 2019 - glitch: hybridized dance performance (Seattle, WA)
Reviews and Interviews:
City Arts
Shaun Keylock Company
Oregon Arts Watch
Seattle Dances
Choreography + Video Design: Jordan MacIntosh-Hougham
Music: “My Prayer” by The Platters, “Bail Hop” by Django Django, “Someone Great” by LCD Soundsystem, edited by Tayler Tucker
Light Design: Oona Kilcommons
Performance (2018): Shannon Adams, Kara Beadle, Vlad Kremenović, Jordan MacIntosh-Hougham, Alex Nystrom, Maya Tacon, Tayler Tucker
Performance (May 2019): Liane Burns, Kristalyn Gill Earley, Jill Hobbs, Shaun Keylock, Meredith Wilde
Performance (Oct 2019): Shannon Adams, Sophia Arnall, Kara Beadle, Arlo King, Vlad Kremenović, Alex Nystrom, Maya Tacon, Tayler Tucker
This work features a menagerie of dancers outfitted in pastel wigs and costumes. A camera placed onstage catches these characters in moments of vulnerability, competition, anxiety, and redemption. The image from the camera feeds directly to a projection on the back wall, such that their failures and triumphs can be seen from all angles. Deeply relatable and at times laugh-out-loud funny, Bad! Bad! Bad! is a candy-coated exploration of performativity and imposter syndrome.
Music: “My Prayer” by The Platters, “Bail Hop” by Django Django, “Someone Great” by LCD Soundsystem, edited by Tayler Tucker
Light Design: Oona Kilcommons
Performance (2018): Shannon Adams, Kara Beadle, Vlad Kremenović, Jordan MacIntosh-Hougham, Alex Nystrom, Maya Tacon, Tayler Tucker
Performance (May 2019): Liane Burns, Kristalyn Gill Earley, Jill Hobbs, Shaun Keylock, Meredith Wilde
Performance (Oct 2019): Shannon Adams, Sophia Arnall, Kara Beadle, Arlo King, Vlad Kremenović, Alex Nystrom, Maya Tacon, Tayler Tucker
This work features a menagerie of dancers outfitted in pastel wigs and costumes. A camera placed onstage catches these characters in moments of vulnerability, competition, anxiety, and redemption. The image from the camera feeds directly to a projection on the back wall, such that their failures and triumphs can be seen from all angles. Deeply relatable and at times laugh-out-loud funny, Bad! Bad! Bad! is a candy-coated exploration of performativity and imposter syndrome.
Images:
Chris Fucile
Chris Fucile
Works, Previous 4
Self Contained
Breathing Apparatus
History:
June 29, 2018- WHYTEBERG x UNDERCURRENT Pop Up Show (Seattle, WA)
September 28-30, 2018- Velocity Dance Center’s FALL KICK OFF! (Seattle, WA)
December 15, 2018- On the Board’s Performance Lab: Five Intervals (Seattle, WA)
March 21, 2019- Alice Gosti’s Gatto Nero (Seattle, WA)
June 29, 2018- WHYTEBERG x UNDERCURRENT Pop Up Show (Seattle, WA)
September 28-30, 2018- Velocity Dance Center’s FALL KICK OFF! (Seattle, WA)
December 15, 2018- On the Board’s Performance Lab: Five Intervals (Seattle, WA)
March 21, 2019- Alice Gosti’s Gatto Nero (Seattle, WA)
Choreography: Jordan MacIntosh-Hougham
Music: “Love on the Brain” by Rihanna
Performance: Jordan MacIntosh-Hougham
Self-Contained Breathing Apparatus is an experiment in actively engaging with my internal anxieties and coping mechanisms while improvising in front of an audience. In this work, I use a mylar emergency poncho as both a way to be concealed, as well as permission to open up. The movement fluctuates rapidly between being fearful, and celebratory. The noise of the mylar is reminiscent of the loudness of just existing.
Music: “Love on the Brain” by Rihanna
Performance: Jordan MacIntosh-Hougham
Self-Contained Breathing Apparatus is an experiment in actively engaging with my internal anxieties and coping mechanisms while improvising in front of an audience. In this work, I use a mylar emergency poncho as both a way to be concealed, as well as permission to open up. The movement fluctuates rapidly between being fearful, and celebratory. The noise of the mylar is reminiscent of the loudness of just existing.
Images:
Jim Coleman
Jim Coleman
Works, Previous 3:
Tantrum Like Noises
History:
May 25-26, 2019- Converge Dance Festival (Portland, OR)
May 25-26, 2019- Converge Dance Festival (Portland, OR)
Choreography + Video Design: Jordan MacIntosh-Hougham
Sound Design: Ben Goosman + Jordan MacIntosh-Hougham
Video: Erika Lygren + Christopher Dennis
Performance: Sophia Arnall, Vlad Kremenović, Arlo King, Jordan MacIntosh-Hougham, Maya Tacon
This work is sourced from a collective archive of memory and responses surrounding the themes of home, loss, paranoia, and the Cascadia Subduction Zone. The dancers sing a song to the back of the stage, perform how not to sit in a chair (read: how not to feel stable), and execute gestures reminiscent of earthquake drills and safety procedures. It is melancholy, a touch neurotic, witty, and sometimes laugh-out-loud. It is a beautiful, loving, confused, tantrum.
Sound Design: Ben Goosman + Jordan MacIntosh-Hougham
Video: Erika Lygren + Christopher Dennis
Performance: Sophia Arnall, Vlad Kremenović, Arlo King, Jordan MacIntosh-Hougham, Maya Tacon
This work is sourced from a collective archive of memory and responses surrounding the themes of home, loss, paranoia, and the Cascadia Subduction Zone. The dancers sing a song to the back of the stage, perform how not to sit in a chair (read: how not to feel stable), and execute gestures reminiscent of earthquake drills and safety procedures. It is melancholy, a touch neurotic, witty, and sometimes laugh-out-loud. It is a beautiful, loving, confused, tantrum.
Images:
Michelle Smith-Lewis
Michelle Smith-Lewis
Works, Previous 2
The Way
The Night Comes, A Rainstorm Sympathizes, The Stars Smell, Your Basement Shines
History:
June 2016- Senior Thesis Concert (Bennington, VT)
June 2016- Senior Thesis Concert (Bennington, VT)
Choreography + Video Design: Jordan MacIntosh-Hougham
Performance: Chloë Engel, Jordan MacIntosh-Hougham, Dani Robbins
Light Design: Marshall McGraw
Sound Design: Roi Ankori-Karlinsky, Jordan MacIntosh-Hougham
Musicians: Roi Ankori-Karlinsky, Ned Haweeli, Webb Crawford
Performance: Chloë Engel, Jordan MacIntosh-Hougham, Dani Robbins
Light Design: Marshall McGraw
Sound Design: Roi Ankori-Karlinsky, Jordan MacIntosh-Hougham
Musicians: Roi Ankori-Karlinsky, Ned Haweeli, Webb Crawford
Images:
Jonathan Barber
Jonathan Barber
Works, Previous 1
The Way
The Night Comes With Friends Who Always Make It Feel Good
History:
November 2015- Martha Hill Dance Concert (Bennington, VT)
November 2015- Martha Hill Dance Concert (Bennington, VT)
Choreography, Video, + Sound Design: Jordan MacIntosh-Hougham
Performance: Jordan MacIntosh-Hougham
Light Design: Marshall McGraw
Music: “Dance Yrself Clean” by LCD Soundsystem
Performance: Jordan MacIntosh-Hougham
Light Design: Marshall McGraw
Music: “Dance Yrself Clean” by LCD Soundsystem
Images:
Abby Mahle
Abby Mahle
Jordan MacIntosh-Hougham
︎Choreographer
︎Video Artist
︎Writer
︎Production Manager
Current Work
︎ALAN
Works, Previous 7:
How to Make Art in 2020
History:
May 2020 - Alice Gosti’s Gatto Nero (Online)
May 2020 - Alice Gosti’s Gatto Nero (Online)
Choreography, Videography & Performance: Jordan MacIntosh-Hougham
Works, Previous 6
BAD TOUR NOW
History:
September 22, 2019 - Ellen McGivern’s Assembly (Seattle, WA)
May 22, 2020 - On the Boards’ Virtually Spectacular LIVE: Sensory Perception (Online)
Reviews and Interviews:
The Stranger
September 22, 2019 - Ellen McGivern’s Assembly (Seattle, WA)
May 22, 2020 - On the Boards’ Virtually Spectacular LIVE: Sensory Perception (Online)
Reviews and Interviews:
The Stranger
Choreography: Jordan MacIntosh-Hougham
Music: “What Is Love” by Haddaway, “I Go To Sleep” by Anika, “Anemone” by The Brian Jonestown Massacre
Light Design: Oona Kilcommons
Performance (Sep 2019): Kara Beadle, Sophia Casteris, Leah Crosby, Vlad Kremenović, Arlo King, Jordan MacIntosh-Hougham, Elizabeth Sugawara
Performance (May 2020): Vlad Kremenović, Jordan MacIntosh-Hougham, Nahshon Marden, Maya Tacon
Music: “What Is Love” by Haddaway, “I Go To Sleep” by Anika, “Anemone” by The Brian Jonestown Massacre
Light Design: Oona Kilcommons
Performance (Sep 2019): Kara Beadle, Sophia Casteris, Leah Crosby, Vlad Kremenović, Arlo King, Jordan MacIntosh-Hougham, Elizabeth Sugawara
Performance (May 2020): Vlad Kremenović, Jordan MacIntosh-Hougham, Nahshon Marden, Maya Tacon
Works, Previous 5
BAD! BAD! BAD!
History:
January 25-28, 2018 - Premiere at Velocity Dance Center, The Bridge Project (Seattle, WA)
May 10-12, 2019 - New Expressive Works, Shaun Keylock Company (Portland, OR)
Oct 25-27, 2019 - glitch: hybridized dance performance (Seattle, WA)
Reviews and Interviews:
City Arts
Shaun Keylock Company
Oregon Arts Watch
Seattle Dances
January 25-28, 2018 - Premiere at Velocity Dance Center, The Bridge Project (Seattle, WA)
May 10-12, 2019 - New Expressive Works, Shaun Keylock Company (Portland, OR)
Oct 25-27, 2019 - glitch: hybridized dance performance (Seattle, WA)
Reviews and Interviews:
City Arts
Shaun Keylock Company
Oregon Arts Watch
Seattle Dances
Choreography + Video Design: Jordan MacIntosh-Hougham
Music: “My Prayer” by The Platters, “Bail Hop” by Django Django, “Someone Great” by LCD Soundsystem, edited by Tayler Tucker
Light Design: Oona Kilcommons
Performance (2018): Shannon Adams, Kara Beadle, Vlad Kremenovic, Jordan MacIntosh-Hougham, Alex Nystrom, Maya Tacon, Tayler Tucker
Performance (May 2019): Liane Burns, Kristalyn Gill Earley, Jill Hobbs, Shaun Keylock, Meredith Wilde
Performance (Oct 2019): Shannon Adams, Sophia Arnall, Kara Beadle, Arlo King, Vladimir Kremenović, Alex Nystrom, Maya Tacon, Tayler Tucker
This work features a menagerie of dancers outfitted in pastel wigs and costumes. A camera placed onstage catches these characters in moments of vulnerability, competition, anxiety, and redemption. The image from the camera feeds directly to a projection on the back wall, such that their failures and triumphs can be seen from all angles. Deeply relatable and at times laugh-out-loud funny, Bad! Bad! Bad! is a candy-coated exploration of performativity and imposter syndrome.
Music: “My Prayer” by The Platters, “Bail Hop” by Django Django, “Someone Great” by LCD Soundsystem, edited by Tayler Tucker
Light Design: Oona Kilcommons
Performance (2018): Shannon Adams, Kara Beadle, Vlad Kremenovic, Jordan MacIntosh-Hougham, Alex Nystrom, Maya Tacon, Tayler Tucker
Performance (May 2019): Liane Burns, Kristalyn Gill Earley, Jill Hobbs, Shaun Keylock, Meredith Wilde
Performance (Oct 2019): Shannon Adams, Sophia Arnall, Kara Beadle, Arlo King, Vladimir Kremenović, Alex Nystrom, Maya Tacon, Tayler Tucker
This work features a menagerie of dancers outfitted in pastel wigs and costumes. A camera placed onstage catches these characters in moments of vulnerability, competition, anxiety, and redemption. The image from the camera feeds directly to a projection on the back wall, such that their failures and triumphs can be seen from all angles. Deeply relatable and at times laugh-out-loud funny, Bad! Bad! Bad! is a candy-coated exploration of performativity and imposter syndrome.
Images:
Chris Fucile
Chris Fucile
Works, Previous 4
Self Contained
Breathing Apparatus
History:
June 29, 2018- WHYTEBERG x UNDERCURRENT Pop Up Show (Seattle, WA)
September 28-30, 2018- Velocity Dance Center’s FALL KICK OFF! (Seattle, WA)
December 15, 2018- On the Board’s Performance Lab: Five Intervals (Seattle, WA)
March 21, 2019- Alice Gosti’s Gatto Nero (Seattle, WA)
June 29, 2018- WHYTEBERG x UNDERCURRENT Pop Up Show (Seattle, WA)
September 28-30, 2018- Velocity Dance Center’s FALL KICK OFF! (Seattle, WA)
December 15, 2018- On the Board’s Performance Lab: Five Intervals (Seattle, WA)
March 21, 2019- Alice Gosti’s Gatto Nero (Seattle, WA)
Choreography: Jordan MacIntosh-Hougham
Music: “Love on the Brain” by Rihanna
Performance: Jordan MacIntosh-Hougham
Self-Contained Breathing Apparatus is an experiment in actively engaging with my internal anxieties and coping mechanisms while improvising in front of an audience. In this work, I use a mylar emergency poncho as both a way to be concealed, as well as permission to open up. The movement fluctuates rapidly between being fearful, and celebratory. The noise of the mylar is reminiscent of the loudness of just existing.
Music: “Love on the Brain” by Rihanna
Performance: Jordan MacIntosh-Hougham
Self-Contained Breathing Apparatus is an experiment in actively engaging with my internal anxieties and coping mechanisms while improvising in front of an audience. In this work, I use a mylar emergency poncho as both a way to be concealed, as well as permission to open up. The movement fluctuates rapidly between being fearful, and celebratory. The noise of the mylar is reminiscent of the loudness of just existing.
Images:
Jim Coleman
Jim Coleman
Works, Previous 3:
Tantrum Like Noises
History:
May 25-26, 2019- Converge Dance Festival (Portland, OR)
May 25-26, 2019- Converge Dance Festival (Portland, OR)
Choreography + Video Design: Jordan MacIntosh-Hougham
Sound Design: Ben Goosman + Jordan MacIntosh-Hougham
Video: Erika Lygren + Christopher Dennis
Performance: Sophia Arnall, Vlad Kremenovic, Sage King, Jordan MacIntosh-Hougham, Maya Tacon
This work is sourced from a collective archive of memory and responses surrounding the themes of home, loss, paranoia, and the Cascadia Subduction Zone. The dancers sing a song to the back of the stage, perform how not to sit in a chair (read: how not to feel stable), and execute gestures reminiscent of earthquake drills and safety procedures. It is melancholy, a touch neurotic, witty, and sometimes laugh-out-loud. It is a beautiful, loving, confused, tantrum.
Sound Design: Ben Goosman + Jordan MacIntosh-Hougham
Video: Erika Lygren + Christopher Dennis
Performance: Sophia Arnall, Vlad Kremenovic, Sage King, Jordan MacIntosh-Hougham, Maya Tacon
This work is sourced from a collective archive of memory and responses surrounding the themes of home, loss, paranoia, and the Cascadia Subduction Zone. The dancers sing a song to the back of the stage, perform how not to sit in a chair (read: how not to feel stable), and execute gestures reminiscent of earthquake drills and safety procedures. It is melancholy, a touch neurotic, witty, and sometimes laugh-out-loud. It is a beautiful, loving, confused, tantrum.
Images:
Michelle Smith-Lewis
Michelle Smith-Lewis
Works, Previous 2
The Way
The Night Comes, A Rainstorm Sympathizes, The Stars Smell, Your Basement Shines
History:
June 2016- Senior Thesis Concert (Bennington, VT)
June 2016- Senior Thesis Concert (Bennington, VT)
Choreography + Video Design: Jordan MacIntosh-Hougham
Performance: Chloë Engel, Jordan MacIntosh-Hougham, Dani Robbins
Light Design: Marshall McGraw
Sound Design: Roi Ankori-Karlinsky, Jordan MacIntosh-Hougham
Musicians: Roi Ankori-Karlinsky, Ned Haweeli, Webb Crawford
Performance: Chloë Engel, Jordan MacIntosh-Hougham, Dani Robbins
Light Design: Marshall McGraw
Sound Design: Roi Ankori-Karlinsky, Jordan MacIntosh-Hougham
Musicians: Roi Ankori-Karlinsky, Ned Haweeli, Webb Crawford
Images:
Jonathan Barber
Jonathan Barber
Works, Previous 1
The Way
The Night Comes With Friends Who Always Make It Feel Good
History:
November 2015- Martha Hill Dance Concert (Bennington, VT)
November 2015- Martha Hill Dance Concert (Bennington, VT)
Choreography, Video, + Sound Design: Jordan MacIntosh-Hougham
Performance: Jordan MacIntosh-Hougham
Light Design: Marshall McGraw
Music: “Dance Yrself Clean” by LCD Soundsystem
Performance: Jordan MacIntosh-Hougham
Light Design: Marshall McGraw
Music: “Dance Yrself Clean” by LCD Soundsystem
Images:
Abby Mahle
Abby Mahle